Industrial designer Tom Karen says that he
persuaded a young Jony Ive not to quit his design course. Who influenced
you to stick with design?
‘No
one is responsible for encouraging me, as without getting my violin
out, I was very discouraged to study design. Coming from a typical
Glaswegian working-class background, studying “arty-farty rubbish” was
quite frowned upon and I was considered a weirdo. I do owe my career to a
guy I worked in a sports shop with who was at art school studying
graphics and I was in complete awe of. He made me realise that coming
from the background we both did that it was possible for people like us
to attempt this ridiculous pursuit and he gave me the help and the
courage to go for it. Ed Sullivan - cheers.’
Jack Renwick, founder, Jack Renwick studio
‘No
one influenced me, cajoled or frogmarched me into my career in design –
it was what I wanted to do from the outset. But once in it, I was and
continue to be inspired by the titans, in particular William Morris.
Designer, maker, writer, poet, thinker, he was to my mind the embodiment
of the complete creative activist. His death certificate gave as cause,
“worked out” .On behalf of the purpose for design and designing, what
better epitaph?!’
Professor Rodney Fitch, retail design consultant
‘I
owe everything to one Mr Adam Spurgeon, the then manager of Russell
& Bromley in Southampton where I was employed as a Saturday boy. His
words still echo in my mind. “You’re completely shit at selling shoes
to ladies, but you’re rather good at designing things, so I’d stick to
that if I were you. And stop making comedy penises out of the
pop-socks.” Thank you Mr Spurgeon. Thank you.’
James Hilton, chief creative officer, AKQA
‘Both
my grandfathers were engineers and they influenced me to take the
“create” path. With their war-generation work ethic there was never a
question of NOT finishing something you start, be that repairing the
toaster or finishing breakfast.’
Simon Waterfall, vice president and creative director, OnCue
‘Once
I’d started my degree I never really had a moment where I thought I
didn’t want to pursue a career in design. But I definitely walked into
Somerset College of Arts & Tech with no clue what graphic design was
and what it could achieve (I thought it was pretty album covers). The
person who showed me the light was a two-headed figure – an inseparable
double act under the guise “Widge ‘n’ Malc”. Widge Hunt and Malcom
Swatridge taught me about problem-solving, they taught me how to think
and use words and pictures to communicate ideas that could engage an
audience. And most of all they made graphic design fun and exciting,
reminding us that design is a creative career path where you never stop
learning new things.’
Jamie Ellul, creative director, Supple Studio, chairman of the West of England Design Forum
‘A
number of people have spurred my career on over the years but there are
two individuals who were fundamentally influential. It goes to back to a
time before I even knew what design was: I was 15 years old and totally
uninspired by school. After displaying a talent for drawing (you’d
never know it now) I was sent on work experience to a small design
agency in Cambridge. Here I met two designers who generously gave their
time, introduced me to design and set me my own briefs. Thanks to Jim
and Wayne and those two weeks, I have had 25 years of doing the stuff I
love.’
Stuart Radford, creative director, The Partners
( Thu, 27 Feb 2014 Design Week)
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