Is this the future of office design?

Today’s definition of the ‘working environment’ is a slippery concept. While traditional office spaces remain the norm – individual desks, meeting rooms, ‘breakout areas’, kitchens – the needs of most workers have changed in the past few decades in ways that leave these settings somewhat lacking.

Public Office Landscape collection, by Yves Behar and fuseproject

With the advent of new technology – in particular the ability to communicate with one another and see our co-workers pretty much wherever we are – the traditional office set-up is in many ways becoming redundant.
However, for all the Skypeing, emailing and Facetime, we often need to physically be with others to truly collaborate, but the traditional office set-up isn’t usually geared toward this.
This morning, we saw the results of a four-year investigation into the idea of the Living Office by design research company Herman Miller. The company showed a number of innovative office design solutions by Industrial Facility and Yves Behar’s fuseproject.
The designs look to solve the problems of traditional office furniture and special arrangements, setting out what Herman Miller terms a ‘vision and a framework’ that looks to help companies attract and retain talent through a more desirable workplace.
Research began in 2010, and focused on the changes in the needs of a workplace, which now exists as much in the virtual as the physical space.
This has, in part, democratised the space: for many workers, the facilities of the office space and their means of communicating with colleagues can be achieved just as easily at home. As such, the modern office needs to focus on what makes the office space necessary in the first place: easy and democratic collaboration with others.

Locale, by Industrial Facility

It’s this idea of enhancing collaboration, ease and productivity that Industrial Facility’s Locale furniture collection, created by the consultancy’s founders Sam Hecht and Kim Colin, aims to facilitate.
Hecht says, ‘We started off by having a conversation about what work meant. The idea that work is attached to a specific place is a historic concept. Previously, we needed to “go to work” to use equipment and be face to face with people – but with technology, what’s the reason to go there now?
‘We still need face-to-face conversation – so with Locale, we wanted a place for spontaneous, quick collaboration’.
‘The ideas are all based on proximity’, Colin adds. ‘Creativity happens where there’s movement. We have to learn to move more’.
The designs are in part inspired by the pair’s travels in Scandinavia, a region where office design looks to create adjustable spaces, both for ergonomic and social reasons through an ease of movement that creates a more dynamic, democratic feel.

Locale, by Industrial Facility

As such, every design in Locale is adjustable. When a colleague comes to speak to another, rather than hovering over them or perching on their desk in an almost patronising, domineering gesture, desks easily move up and down, so two people can stand around them in a more convivial arrangement.
During the development of the collection, Industrial Facility created a number of prototypes, working in each for a period of around three months before making the relevant tweaks. The final collection includes the D Desk and L Desk – both circular-shaped modular workspaces that are height-adjustable.
They also have adjustable screens at the back, meaning that for all the collaborative working they encourage, workers can also close themselves in for privacy.

Locale, by Industrial Facility

The other solutions to emerge from the Herman Miller research are the Public Office Landscape designs, created by Yves Behar and fuseproject. According to Herman Miller, the concept is the ‘first office system to support causal work and provide comfort, at the desk, in circulation space, and in group areas – all within a consistent design vocabulary’.
The concept is based around the Social Chair piece – a soft seat that promises to be able to accommodate ‘a range of people and postures’.

Public Office Landscape collection, by Yves Behar and fuseproject

Behar says, ‘Collaboration is everything. There’s no real reason to go to the office any more – the only reason is to collaborate with other people.
‘But in the [traditional office set-up] collaboration isn’t intuitive’.
He points out that meeting rooms are usually separate entities from the main workspace, and often hard to book through a series of request forms, diaries and office managers. Bypassing this, his Public Office Landscape concept allows collaboration and meetings anywhere, at any time, using pieces such as seats with bi-directional movement; moveable screens and AV facilities in open spaces.

Public Office Landscape collection, by Yves Behar and fuseproject

While all these designs are beautiful, and promise a very seductive and utopian way of working, it’s hard to imagine companies investing en-masse in these sort of design-led solutions any time soon. While this is, of course, a shame for workers – surely almost everyone wants to work in beautiful environment, supported by ergonomically savvy furniture – it’s also a shame for businesses too.
A Design Council report entitled Leading Business by Design was published in November last year, investigating how physically embedding design thinking into workspaces could affect productivity.  It showed case-study-based evidence that improving the ‘employee journey’ was as vital as improving the ‘customer journey’.
The report was followed by a conference of the same name this year, which saw many companies speak of how significant improvements to employee and brand performance can be brought about through redesigned office spaces.
So we have to agree with Herman Miller’s assertion that it’s time to rethink office design: the space itself, as the company says, has the power to ‘drive innovation and execution and bring an organisation’s strategy to life’.

(Tue, 24 Jun 2014 | By Emily Gosling, Design Week)