Wednesday, 28 January 2015

FUTURE THEMES- Surface Design Show

CHRISTINE DIAZ PRODUCT DEVELOPMENT MANAGER OF ULTRAFABRICS HAS PULLED TOGETHER FUTURE THEMES

Which are heavily influenced by haute couture:
"Borderline is a decorative play on lines, complex surface textures hints at surreal aesthetics and makes bold statements in unexpected ways."
Acoustic GRG Products (stand 122) will showcase Waveform an acoustic wall panel whose undulating lines create stunning aesthetics. More
"Jaunty embraces lively primary hues of red cadmium and cobalt."
New from A.J Wells Architectural Enamellers (stand 456) is VLAZE: bespoke vitreous enamel panels and work surfaces that come in a range of vibrant colours.
"Mirage utilises nature inspired textures in a variety of muted pastels."
Ceramiche Caesar S.p.A (stand 301) produce stunning tiles in a beautiful natural palette. More
"Modish pulls at the heart strings of earlier generations, an interesting use of green is combined with black or citrus accents. Plastics, along with geometrics and knits, create surface effects which are a playful mix of contrasting elements."
Armatile (stand 234) create bespoke tile solutions and their circle and dots design embraces the Modish trend perfectly. More

Tuesday, 27 January 2015

WPA Pinfold brands Asda’s 3D printing service

WPA Pinfold has created the branding and packaging for supermarket Asda’s new 3D printing service, called ASDA 3DME.
3DME+logo
The ASDA 3DME service lets people create 3D-printed figurines of themselves or others. Sessions can be booked at Asda stores and prices run from £49 to £125.
The system uses 360ยบ scanning cameras and according to Asda has access to a palette of 6 million colours. The result is a 3D-printed 20cm ceramic figurine.
Packaging
Packaging
WPA Pinfold says that for the branding it has used “emotive images of people” in a bid to “capture the essence of the personal feelings associated with the concept”.
The consultancy says it has aimed for a “simple, engaging” brand, while photography was used across all touchpoints to create brand consistency.
3DME+website
3DME website
The ASDA 3DME concept was trialled last autumn and the supermarket plans to roll the service out further this year.

(Mon, 26 Jan 2015 | By Angus Montgomery )

Monday, 26 January 2015

Redesigning the industrial gas canister

Consultancy 42 Technology has designed a new lever-based valve for industrial gas canisters that can replace the traditional hand-wheel mechanism and let people see from a distance if a canister is open or closed.
Canister
42T says the new design “sets an industry benchmark for cylinder safety”.
The new EVOS Ci cylinder design has been created for the Linde Group and will be used around the world.
It comprises a quick-action lever and protective guard as well as a safety “interlock” system to reduce the risk of the valve being opened accidently.
Traditional gas canisters with
Traditional gas canisters with
The mechanism also has an ergonomically-designed grip so that cylinders can be more easily lifted and moved and a live content gauge so users can read cylinder pressures at a glance.
The cylinder package has been designed to work with all industrial gases – such as argon, acetylene, carbon dioxide mixes and hydrogen.
Canister
The design was created following user research, competitor analysis and product trials in four countries, according to 42T.
Linde says it has filed more than a dozen patents to protect all the new technological innovations that go into the valve and guard.

(Mon, 26 Jan 2015 | By Angus Montgomery )

Sunday, 25 January 2015

Science Museum remembers Churchill's scientists

The Science Museum is commemorating the 50th anniversary of Sir Winston Churchill’s death with an exhibition looking at the scientific, design and technological breakthroughs which marked his tenure as a wartime and peacetime prime minister.
Churchill’s Scientists, which was designed by Nissen Richards Studio, opens today and looks to tell the story of Churchill’s enthusiasm for science and the support he gave to scientists whose pioneering work helped secure victory in the Second World War and launch a post-war science renaissance in everything from nuclear power to X-ray crystallography.
Churchill's Scientists
Nissen Richards Studio was appointed to work on 2D and 3D interpretation through a tender process. It has worked on other Science Museum exhibitions including the Alan Turing exhibition Codebreaker, and Collider, which explained the work being carried out at the CERN Large Hadron Collider in Switzerland.
Visitors to Churchill’s Scientists will learn how Robert Watson Watt invented radar, which gave the Royal Air Force a crucial advantage in the Battle of Britain and how Bernard Lovell created the world’s largest radio telescope.
Churchill's Scientists
There is a focus on the stories of the individual scientists and on Churchill’s fascination with science and technology. He was, for example one of the first people who learned how to fly and as a journalist he predicted the nuclear age.
Churchill's Scientists
The exhibition has been devised along chronological lines, beginning with the outbreak of the Second World War and discussing the role science played in the British war effort and how scientists worked alongside engineers and designers in fields including nutrition, the production of penicillin and antibiotics, sea warfare and the atomic bomb.
Highspeed camera that captured first seconds of British nuclear bomb blast test
Highspeed camera that captured first seconds of British nuclear bomb blast test
Original archive film footage, letters and photographs are featured as well as artifacts from the British atom bomb project Tube Alloys, and the high speed camera which was designed to capture the explosion of the first test bomb in 1952.
The second part of the exhibition explores scientific advances in post war Britain including molecular genetics, radio astronomy, nuclear power, nerve and brain function.
There are many personal effects of Churchill in the exhibition including the cigar he was smoking when he heard news of his election in 1951 and  a Turbull and Asser-designed one-piece green velvet “siren suit” which he wore during air raids.
Nissen Richards Studio architect and senior designer Marie-Lise Oulmont says that “a spine-wall delineates both parts of the exhibition”, which she says have a very different look and feel.
Churchill's Scientists
The wartime section is formed of different rooms which the visitor weaves their way through. Raw MDF has been used as part of a minimal design which features accents of strong colour.
This is linked to the peacetime section via an “intermezzo” dark bridging section which focuses on Churchill’s writing post WWII before giving way to the peacetime zone which is “more open and colourful, with 1950’s vibrant tones ”.
Andrew Nahum, Lead Curator of Churchill’s Scientists says: “The exhibition shows how Churchill’s enormous wartime R&D programme kick-started Britain’s many post-war successes in fundamental scientific research.”
Churchill’s Scientists runs from 23 Januray 2015 – 03 March 2016 at the Science Museum Exhibition Road, London, SW7 2DD

(Fri, 23 Jan 2015 | By Tom Banks )

Saturday, 24 January 2015

Who would you never work for?

Plenty of designers have rules about the types of companies they would never accept as clients. According to my (anecdotal) research, arms dealers, tobacco brands, gambling and online loans companies are most commonly on these “proscribed” lists. Maybe you have one yourself?
Proposed+designs+for+plain+cigarette+packaging+in+the+UK
Proposed designs for plain cigarette packaging in the UK
Obviously there are interesting debates to have around designers’ individual moral choices – would you work for an e-cigarette brand? And will spirits (which have been linked to a rise in mouth cancer) be the next taboo?
The fact that these “banned lists” exist at all also demonstrates not only that designers are (in the most part) pretty moral, but that they understand the importance of their work and the impact that it can have.
And, oddly, some of the most compelling arguments for design’s impact come from these taboo industries.
The debate around plain cigarette packaging – which has been raging this week after the Government announcement of a vote on the issue – is a clear example of this.
The fact that tobacco companies are so opposed to the matter shows the strong value they place in their brands – which they operate, remember, without any above-the-line advertising, sponsorship or other promotional activities.
It’s a similar story for online loans (most of whom, effectively are offering pretty much the same product – give or take a few numbers in the APR). For a sector like this, branding is often the only thing that differentiates one provider from the other.
Spirit brands meanwhile, are among the most prolific commissioners of design – particularly at the luxury and limited-edition end of the market. If the spirits sector will be the next to face branding restriction (as some are predicting), what will that mean for the many consultancies who create beautiful, award-winning and lucrative work for them?
Kalashnikov
And even the arms trade has an appreciation of design – just look at the investment Kalashnikov made in its branding at the end of last year. If you’re anything like me, your reaction would have been at first shock that a company like Kalashnikov could find designers willing to work for them, followed by surprise that the logo is actually quite nice…
By withholding their services from some of the industries that desire them most, designers are doing a important thing, and not just from a moral standpoint – they are reinforcing the power that they hold.
One of the key things that good design can do is build desire. This is a huge responsibility for designers. How do you exercise it? Who would you never work for?

(Fri, 23 Jan 2015 | By Angus Montgomery )

Friday, 23 January 2015

Leeds Print Festival

The fourth edition of the annual Leeds Print Festival is set to kick off.
LPF
The week-long event will feature a series of talks, exhibitions and workshops and this year’s highlights include work from The Designers Republic, talks from letterpress studio Counter Press and Intern Magazine’s Alec Dudson and a panel discussion with Creative Review editor Patrick Burgoyne.
The festival organisers say the aim of the event is to “champion the exploration of traditional and contemporary printmaking”.
The festival takes place at venues across the city, including Leeds Gallery and Leeds College of Music.
Leeds Print Festival runs from 23-31 January. For more information visit www.leedsprintfestival.com.

(Fri, 23 Jan 2015 Design week)

Sebastian Conran "de-geekifies" 3D printer with build-your-own model

Sebastian Conran Associates has launched a build-it-yourself 3D printer for use in the home, workplace and schools. 
Vector3
Vector 3, which took six months to design, is available for customers to buy through an accompanying magazine subscription to 3D Create & Print – a weekly magazine teaching you how to build, and use, your own 3D printer.
Sebastian Conran, creative director at SCA, was commissioned by magazine publishers Eaglemoss Publishing to develop the idea, and also gained inspiration for the project from his Designer in Residence post at The University of Sheffield, where his role is to turn research into solutions.
Vector3
“In the Materials Science and Engineering faculty, we come across all sorts of cutting edge technologies,” he says. “People do research and it stays in the academic ecosphere. I try to get real products out of it, and transform science and technology into experience, lifestyle and culture.”
The machine is intended for use by children as well as adults, so includes safety features such as a hood to prevent burns from the oven-hot print head. This also helps to keep the built environment warm allowing better adhesion between layers, Conran says.
“This improves performance,” he says. “It’s also quieter than other 3D printers out there, so it doesn’t annoy other people in the house, and looks like a homogenous unit.” Vector 3 weighs 8kg, and is roughly 40cm x 30cm x 36cm in size.
Vector3
Conran aims to take the product into schools, where children can undergo a 3D printing module and learn about the technology as they build the machine throughout the year.
“3D printing is a logical next step for children,” he says. “It gives them an idea of what making things in the future is going to be about. There will still be the traditional stuff, like cutting and gluing wood – but things will also be built through digital fabrication.”
However he adds that the machine is to be used within reason, and not with hopes of creating anything and everything. “Like a microwave, it will be incredibly good at doing certain tasks but can’t do everything,” he says. “Don’t expect to be printing bits of Formula One cars in your bedroom.”
“But you could print your own train tracks for a Scalectrix, doll’s house pieces, handles for knives and files,” he says. “I made a chain guard for my bicycle over the holidays.”
Development+sketch
Development sketch
He says that the benefits of 3D printing include being able to set it up and leave it to work overnight, and reducing the messy work of cutting up materials – as well as the ability to tailor your possessions, Conran says. “As a kid, I had Lego and Meccano – I wasn’t a kick-a-football type,” he says. “This machine allows kids who are creative and who love making things the joy of customising their own things.”
Conran’s hope for the future of 3D printing is that it will encourage recycling and help to reduce landfill waste. “We want to end up with products with more physical integrity,” he says. “The ultimate 3D printer will be one where you can put all your old drink bottles in to repurpose, or resurface power units from redundant PCs and use them to charge mobile phones.”
Vector3
Vector 3 is designed to convert two types of material into products – the recyclable polymer ABS (acrylonitrile butadiene styrene), and biodegradable PLA (polylactic acid), made from cornstarch.
The purpose of Vector 3 is to make 3D printing accessible to everyone, Conran says. “We want to create a community of 3D printers and set a new standard as it becomes a benchmark machine,” he says. “I also think it’s the best-looking printer in the category: we’ve designed – or de-geekified – the machine to make it a domestic, rather than geeky, product.”
Vector3
Sebastian Conran Associates and Eaglemoss designed the machine in association with a manufacturing company in Hong Kong.
Vector 3 is currently available in the UK to buy in flatpacked parts through magazine subscription at £6.99 per issue, but will be available to buy as a complete, pre-assembled printer in the future. It will also be available in Japan and Russia.


(Thu, 22 Jan 2015 | By Sarah Dawood)