Saturday, 30 November 2013

The Design Museum celebrates the 80s and 90s

The Design Museum and District MTV.com have joined up for a one-night-only celebration of the 80s and 90s.
90s
On the one hand it’s a nostalgic look at subcultures like goth, new romantic, acid rave, and pop, but given how these decades continue to impress on the DJs, directors, photographers, designers, and makers of today, it will also look at what’s going on now.
The evening, which takes place at the Design Museum will be hosted by fashion journalist and director Paula Reed and co-hosted by curation agencies Double Decker and Rewind The Tape.
The Cloth, Summer Summit: 1985
The Cloth, Summer Summit: 1985The Cloth, Summer Summit: 1985
Rewind The Tape will present the modern day practitioners influenced by the 80s and 90s.
 Bodymap, A/W 1984, Cat in the hat takes a rumble with a techno fish. Model: Scarlett Cannon, 1985
Bodymap, A/W 1984, Cat in the hat takes a rumble with a techno fish. Model: Scarlett Cannon, 1985
The bill includes Reed in conversation with emerging fashion designers, work by emerging photographers, illustrators and film makers, a poster room of iconic pop stars from the 80s and 90s, screen printing by Oscar Whale, a live catwalk show of emerging fashion and talent, and a bunch of DJs and MCs.
District MTV Takeover, Rewind The Tape, 80s and 90s night, takes place at the Design Museum, Shad Thames, SE1, on 6 December between 6.30-10.00pm. For booking information head to: https://www.ticketweb.co.uk/event/94797

Friday, 29 November 2013

Sony raises the stakes in wearable technology with ‘SmartWig’ plans

The Japanese firm has made an application in the US for a ‘wearable computer device, comprising a wig that is adapted to cover at least part of a head of a user’.
The device would feature a sensor, a processor and a communication device, which would all be ‘at least partly covered by the wig in order to be visually hidden during use’.
Sony says the wig could be used to monitor the wearer’s brainwaves, blood pressure or pulse, or even combined with ‘artificial muscles’ so that ‘if the user is excited, the hair dynamically changes’.
Areas in which the ‘SmartWig’ could be used, Sony suggests, include, healthcare, the games industry or helping blind people to navigate.
Sony says, ‘The usage of a wig has several advantages that, compared to known wearable computing devices, include a significantly increased user comfort and an improved handling of the wearable computing device.’
It adds, ‘The user can wear the wearable computing device as a regular wig while looking natural at the same time’.
Brands have been investing heavily in the wearable technology sector, with Google planning a further rollout of its Google Glass, and Samsung and Nissan investigating smartwatch technology.


White Light / White Heat

A new exhibition in London rather boldly links glassblowing to the ‘formation of the universe’, linking their shared naissance in ‘light and heat, the components of fire’.
 Marta Klonowska, The Fish, 2013
Marta Klonowska, The Fish, 2013
It’s this light and heat (and The Velvet Underground) that has leant the exhibition its sub-heading, White Light/ White Heat – a presentation of works in glass by a number of well-know designers and artists collectively curated under the title Glasstress.


Hussein Chalayan Frozen Monologue, 2013 Glass
Hussein Chalayan Frozen Monologue, 2013 Glass
The show is split between two London gallery spaces, the Fashion Space Gallery  at London College of Fashion and the nearby Wallace Collection; and isa continuation of the Glasstress series, previously shown at the Venice Art Biennale in 2009 and 2011.


Shih Chieh Huang, Seductive Evolution of Animated Illumination, 2013
Shih Chieh Huang, Seductive Evolution of Animated Illumination, 2013
The only brief given to the designers and artists, co-curator James Putnam tells us, is that the work must use glass in one way or another.
Thomas Schu¨tte, Geister, 2011
Thomas Schu¨tte, Geister, 2011
As such, the work on show is lively and diverse, moving way beyond what we’d expect of the medium, which is often dismissed in the unforgiving art world as rather erring on the side of ‘tweeness’ and craft.
Stuart Haygarth, Glass House, 2013
Stuart Haygarth, Glass House, 2013
Most opted to design their piece and leave the fabrication to a professional glass practitioner, though a few of those taking part chose to blow the glass themselves.
Shirazeh Houshiary, Flicker, 2013
Shirazeh Houshiary, Flicker, 2013
Adraino Berengo, director of Berengo Studio Murano and Glasstress co-curator, says, ‘By allowing artists to come into contact with this known but seldom used material (in aesthetic terms), I like to think Glasstress has created for each artist the idea conditions for limitless experimentation, open to failure, to second guessing, and to the elation of new discoveries’.
 Whitney McVeigh, Solitude a breath away, 2013
Whitney McVeigh, Solitude a breath away, 2013
He adds, ‘No one has simply expected to use glass as an interchangeable material with commonly used ones; each, in the end, has found a way to assimilate glass into his own poetic theme, expressing it concretely in the final work’.
 Mona Hatoum, KAPANCIK, 2012
Mona Hatoum, KAPANCIK, 2012
Glasstress: White Light/ White Heat runs until 23 February at Fashion Space Gallery, London College of Fashion, 20 John Princes Street W1G and The Wallace Collection, Hertford House, Manchester Square, London, W1U
 Jason Martin, Chimera (Azul), 2013
Jason Martin, Chimera (Azul), 2013


Friday, 1 November 2013

New Google Glass could be heading to the UK

The product was initially made available to around 10,000 people in the US – mainly developers – who applied to be a ‘Glass Explorer’.
According to Google the ‘Explorers’ will now have ‘a one-time option to swap out their existing Glass for a new one’.
The company says, ‘This hardware update will allow your Glass to work with future lines of shades and prescription frames, and we’ll also include a mono earbud.’
This means that users will be able to integrate prescription and sunglasses.
Any Explorers who bought a device before 28 October will be eligible for the swap. These people will have paid $1,500 (around £927).
Meanwhile Google is ramping up production for the new Glass product and will roll out its invitation business model used for Gmail, where early adpoters invite people to use  - or in this case buy - the product.
Google says, ‘Over the next few weeks, all Explorers will have the opportunity to invite three friends to join the program. They’ll be able to buy Glass online and can have it shipped to their home, office, treehouse or igloo.’
This could see the Glass available outside the US, which has not been the case previously.
The Financial Times has reported that Google Glass will be available to the general public next year.

Thursday, 26 September 2013

Interior Trends A/W 2014/15

And here's some of the trends that are coming through in interiors.






Wednesday, 25 September 2013

Colour trends A/W 2014/15

Been doing some colour & trend research for a project; heres what I found x






Thursday, 12 September 2013

S/S 15 Macro Trends






By the WGSN Creative Direction team, 12 June 2013
This season's overriding theme is Neo Materialism.


Over the last four decades we have witnessed dematerialisation in various fields: money became credit, brand names became more important than products, art became concept, and our lives moved, at least partially, online. We are now witnessing a growing interest in "thingness" (a term referring to objects that have physical presence, create an emotional response and have a connection to the place they were made). Artists, designers and consumers are seeking a more tangible appreciation of the world around them.

FOCUS

 The material world comes into sharp focus – emotion, contemplation and local environments are key.






HISTORY 2.0
We reconsider the past, creating products for imagined future worlds that once seemed impossible.
 

BIO-DYNAMIC
 Form, structures and systems are revolutionised by looking at new discoveries in microscopic life forms.