The Japanese firm has made an application in the US for a ‘wearable computer device, comprising a wig that is adapted to cover at least part of a head of a user’.
The
device would feature a sensor, a processor and a communication device,
which would all be ‘at least partly covered by the wig in order to be
visually hidden during use’.
Sony says the wig could be used to
monitor the wearer’s brainwaves, blood pressure or pulse, or even
combined with ‘artificial muscles’ so that ‘if the user is excited, the
hair dynamically changes’.
Areas in which the ‘SmartWig’ could be
used, Sony suggests, include, healthcare, the games industry or helping
blind people to navigate.
Sony says, ‘The usage of a wig has
several advantages that, compared to known wearable computing devices,
include a significantly increased user comfort and an improved handling
of the wearable computing device.’
It adds, ‘The user can wear the wearable computing device as a regular wig while looking natural at the same time’.
Brands have been investing heavily in the wearable technology sector, with Google planning a further rollout of its Google Glass, and Samsung and Nissan investigating smartwatch technology.
Friday, 29 November 2013
White Light / White Heat
A new exhibition in London rather boldly
links glassblowing to the ‘formation of the universe’, linking their
shared naissance in ‘light and heat, the components of fire’.
It’s
this light and heat (and The Velvet Underground) that has leant the
exhibition its sub-heading, White Light/ White Heat – a presentation of
works in glass by a number of well-know designers and artists
collectively curated under the title Glasstress.
Hussein Chalayan Frozen Monologue, 2013 Glass
The only brief given to the designers and artists, co-curator James Putnam tells us, is that the work must use glass in one way or another.
As such, the work on show is lively and diverse, moving way beyond what we’d expect of the medium, which is often dismissed in the unforgiving art world as rather erring on the side of ‘tweeness’ and craft.
Most opted to design their piece and leave the fabrication to a professional glass practitioner, though a few of those taking part chose to blow the glass themselves.
Adraino Berengo, director of Berengo Studio Murano and Glasstress co-curator, says, ‘By allowing artists to come into contact with this known but seldom used material (in aesthetic terms), I like to think Glasstress has created for each artist the idea conditions for limitless experimentation, open to failure, to second guessing, and to the elation of new discoveries’.
He adds, ‘No one has simply expected to use glass as an interchangeable material with commonly used ones; each, in the end, has found a way to assimilate glass into his own poetic theme, expressing it concretely in the final work’.
Glasstress: White Light/ White Heat runs until 23 February at Fashion Space Gallery, London College of Fashion, 20 John Princes Street W1G and The Wallace Collection, Hertford House, Manchester Square, London, W1U
Source: Courtesy White Cube, London
Jason Martin, Chimera (Azul), 2013
(Thu, 28 Nov 2013 | Emily Gosling)
Friday, 1 November 2013
New Google Glass could be heading to the UK
The product was initially made available to around 10,000 people in the US – mainly developers – who applied to be a ‘Glass Explorer’.
According to Google the ‘Explorers’ will now have ‘a one-time option to swap out their existing Glass for a new one’.
The company says, ‘This hardware update will allow your Glass to work with future lines of shades and prescription frames, and we’ll also include a mono earbud.’
This means that users will be able to integrate prescription and sunglasses.
Any Explorers who bought a device before 28 October will be eligible for the swap. These people will have paid $1,500 (around £927).
Meanwhile Google is ramping up production for the new Glass product and will roll out its invitation business model used for Gmail, where early adpoters invite people to use - or in this case buy - the product.
Google says, ‘Over the next few weeks, all Explorers will have the opportunity to invite three friends to join the program. They’ll be able to buy Glass online and can have it shipped to their home, office, treehouse or igloo.’
This could see the Glass available outside the US, which has not been the case previously.
The Financial Times has reported that Google Glass will be available to the general public next year.
According to Google the ‘Explorers’ will now have ‘a one-time option to swap out their existing Glass for a new one’.
The company says, ‘This hardware update will allow your Glass to work with future lines of shades and prescription frames, and we’ll also include a mono earbud.’
This means that users will be able to integrate prescription and sunglasses.
Any Explorers who bought a device before 28 October will be eligible for the swap. These people will have paid $1,500 (around £927).
Meanwhile Google is ramping up production for the new Glass product and will roll out its invitation business model used for Gmail, where early adpoters invite people to use - or in this case buy - the product.
Google says, ‘Over the next few weeks, all Explorers will have the opportunity to invite three friends to join the program. They’ll be able to buy Glass online and can have it shipped to their home, office, treehouse or igloo.’
This could see the Glass available outside the US, which has not been the case previously.
The Financial Times has reported that Google Glass will be available to the general public next year.
(Tue, 29 Oct 2013 | Tom Banks)
Thursday, 26 September 2013
Wednesday, 25 September 2013
Thursday, 12 September 2013
S/S 15 Macro Trends
By the WGSN Creative Direction team, 12 June 2013
Over the last four decades we have witnessed dematerialisation in various fields: money became credit, brand names became more important than products, art became concept, and our lives moved, at least partially, online. We are now witnessing a growing interest in "thingness" (a term referring to objects that have physical presence, create an emotional response and have a connection to the place they were made). Artists, designers and consumers are seeking a more tangible appreciation of the world around them.
FOCUS
The material world comes into sharp focus – emotion, contemplation and local environments are key.
HISTORY 2.0
We reconsider the past, creating products for imagined future worlds that once seemed impossible.
BIO-DYNAMIC
Form, structures and systems are revolutionised by looking at new discoveries in microscopic life forms.
Friday, 1 March 2013
Now that the projects over
I'm going to be adding trend things in general; some may relate to my final major project others may not. This is something I will be able to continue with after Uni so watch this page x
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